As far as I can tell the works are hung in no particular order so I'll present them here as I saw them, more or less.
St. Jerome In His Studio by Bartolomeo Cavarozzi.
Unknown title, by Lorenzo Lippi. Unknown, meaning I should have zoomed in on the title, in this photo it's illegible.
Martyrdom of St. Bartholomew by Jusepe de Ribera.
St. Francis by Jusepe de Ribera, 1643.
Hospitality of St. Julian by Cristofano Allori.
Portrait of Cardinal Bentivoglio by Anthony Van Dyck.
Adoration of the Shepherds by Francesco Salviati, circa 1550.
Copy by Federico Barocci of Madonna and St. Jerome by Correggio.
Ecce Homo by Cardi Lodovico.
Holy Family by Raphael
Madonna and Child by Tintoretto.
Madonna with Child and Various Saints by Andrea del Sarto.
Debate Over the Trinity by Andrea del Sarto.
Annoyingly unsatisfactory shot of what I am assuming is Assumption of the Virgin by Andrea del Sarto.
Slightly less unsatisfactory alternative Assumption of the Virgin by Andrea del Sarto.
St. Sebastian by Guercino.
Wall fresco from the Warming Room (Slaughter of the Innocents) by Pietro da Cortona, 1637.
Second wall fresco from the Warming Room by Pietro da Cortona, 1637.
Portrait of Cardinal Dovizi of Bibbiena by Raphael.
Seated Madonna (?) by Raphael.
Portrait of a Woman (The Veiled Woman) by Rafael.
Consipracy of Catilina by Niccolo Cassana. I am guessing there is a better English translation.
Consequences of War by Peter Paul Rubens.
Ceiling fresco in the Mars Room by Pietro da Cortona, 1643 - 1647.
More of the ceiling fresco by Pietro da Cortona, 1643 - 1647.
Madonna of the Rosary by Murillo.
Portrait of the Dwarf Morgante (front) by Bronzino, circa 1550. These are so insane by modern sensibilities I had to include them. True facts: 1. Cosimo d'Medici had a "favorite dwarf," meaning, I suppose, there were a number of them about the court. 2. Not only was Morgante the favorite dwarf, I believe he was also Cosimo's falconer.
Portrait of the Dwarf Morgante (back) by Bronzino, circa 1550. More facts: 3. Not only did Cosimo have TWO paintings commissioned, he had a statue made of Morgante astride a giant turtle that's at the end of the Vasari Corridor. You can't make this stuff up.
Mary Magdalen Brought to Heaven by Guido Cagnacci.
Deposition from the Cross by Andrea del Sarto.
Holy Family by Andrea del Sarto. I though the photo was blurry but the frame edges are not, so del Sarto must have wanted it that way.
Portrait of Pope Julius II by Titian, copied from Rafael's original.
St. Phillip Neri by Carlo Maratta.
Ceiling fresco in the Venus Room by Pietro da Cortona, 1641 - 1642.
Hunter's Meeting Place by Giusto Sustermans.
Venus by Antonio Canova. A favored motif in renaissance erotica: "Heavens, I've been discovered naked! Luckily I was able to cover up but I've left one breast strategically exposed."
Español
